Highs and lows from a winter of outdoor gear testing: spooky summit camps, exploding stoves, and more
Now that a long winter here in Scotland has finally come to an end, it's time for me to look back on the highlights of my season. Regular readers will know that I have been on the team at The Great Outdoors testing and reviewing equipment for some
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Two upcoming events for outdoor writers, photographers, and creators
Inclusivity and diversity, and a celebration of ten years in print
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Seek the mayglow while you can, for it is fleeting
May has long been one of my favourite months of the year, but it's not all about Scottish Alpine spring, as you might expect from a mountaineer based in Scotland. One of the things I have learnt about myself is that I need more from nature than mountains.
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Perthshire, March, Kodak cine film
I've just finished a batch of scanning, so thought I'd pop up a photo post to follow up from this entry a couple of weeks back. In that post I spoke a bit about my approach to photo note-taking. I also shared some iPhone pictures. Today
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Something I should have done years ago: ALCS (plus nebulous thoughts about writing as a lifelong vocation)
After years of telling myself 'I should really register for ALCS this year', I've finally managed to motivate myself to do it before the deadline (just). It's been an interesting exercise to see everything I've published since 2021 all in one place.
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What survives in the record: a Glen Coe hill day from 15 years ago today
Every now and again, I dip into my Lightroom library and journals, curious to see what I was doing 10, 15, or 20 years ago on this day. On the 6th of April, 2009, my brother James had just arrived in Glen Coe and was keen to experience these mountains
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Some phone pictures from a sunny hill weekend (and a few thoughts on photo note-taking)
And now for something completely different. If you want to understand my approach to photos as a working outdoor writer then 35mm film (which I gush about on this blog all the time) is only a third of the story. Another third is my full-frame digital camera – no surprises there.
The magic of cine film
Sometimes, when the light is right, Kodak Vision3 250D can almost look like slide film. There's something magical about the way all film – real, tangible images that exist in physical space – captures the warmth of winter light, but I think Vision3 has something extra that bridges the divide
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The long microseason tail of a fantastic winter
Late March is always a strange time of year for me. I think I become more aware of the tension in the landscape as winter peels back and spring tries to do its thing, and this tension manifests itself in various subtle ways. For me it's about microseasons.
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